Director Zdravko Mustać
Synopsis
The film “Air”, through an associative line of scenes, metaphorically, metaphysically and literally evokes the concept of dying
“Air” represents a poetic transformation of expression, intuition and revelation. The absence of any narrative form has been replaced by the affirmation of a variable sensory processes. This film is divided into three parts. Each part has its own contingent conditionally connected with scenes that guide us in their own unique way through the process of deciphering the human path to final peace. All three works are conceptually and formally connected. Each unit, in it’s unique way, goes towards a same perceptual path.
“Air” represents a poetic transformation of expression, intuition and revelation. The absence of any narrative form has been replaced by the affirmation of a variable sensory processes. This film is divided into three parts. Each part has its own contingent conditionally connected with scenes that guide us in their own unique way through the process of deciphering the human path to final peace. All three works are conceptually and formally connected. Each unit, in it’s unique way, goes towards a same perceptual path.
