Barbara Peikert
Baraba-pe, born and raised in Switzerland, is a self-producer, filmmaker, photographer and sound artist. She currently works in her film studio Atelier a./f. as director and as founder of the art theory of “astrazione fiction”. The fields of interest of experimental and animated film focus on the chromatic flow, abstract fiction, holography, photography, light and sound effects enrich the aesthetic perception. She holds a Master in Visual Arts and Aesthetics from the Universities Paris 1+8 and Lighting Design from the Università di Sapienza di Roma and ENSAD Paris.
Snowshine, 2020 (2021 World Premiere), MI DI WORM no.10, 2018, Periplaneta and AF_SO_MONT_NB, 2019, have so far participated in various international film festivals and have been shown in China, Switzerland, US, Argentina, Korea, Japan, Mexico, Chile, Costa Rica, Colombia, Venezuela, Peru, Canada, Greece, Italy, Iran, Belgium, Germany, England, France, Slovakia, Portugal, Spain, Romania, Bosnia, Nepal, India, Bangladesh, Serbia, Russia, Sweden, Turkey, Netherlands, Panama, Bolivia, Ukraine, Indonesia and Georgia. Snowshine follows more than 10 short films with a strong background in abstract fictional genres, digital sound and fictive light installations.
Filmography
Staging with RGB lighting effects – geometric shapes flow:
2020 Snowshine, in progress AF_EINSTRAHLER (Radiator) 10’, AF_WRACK 13’; HEXA SEXTA 16’; Bille Balle (BALL BALLOON) 190“; EINäuger 10′
Cartoons with 2D Animation+3D illusions templates, color, Stereo:
2019 Periplaneta, 6’07; 2018 MI DI WORM no. 10, 1′; MI DI WORM no. 1-19 ; AF_VOLVERSTOI no.1-65 Space and time axis model the sequence of the images and stage the discolored color flow
2019 AF_SOMONT_NB, 135’’; AF_SO_WAL, 4’; AF_SO-RO, 4’37’’
Staging with RGB flow lighting effects and geometric shapes (year of shooting France 2005): AF_ST-TIC_TAC; AF_SAGOMA, 25’’
Early Experimental films of astrazione-fiction
2012 A-SOL_TIC, 2010 WRACK_CUBE, 10’; 2008 Blue-TUONO, 15’; CA-lunatic, 4’ ; Compilation Eclat/Ecran 2004
Snowshine, 2020 (2021 World Premiere), MI DI WORM no.10, 2018, Periplaneta and AF_SO_MONT_NB, 2019, have so far participated in various international film festivals and have been shown in China, Switzerland, US, Argentina, Korea, Japan, Mexico, Chile, Costa Rica, Colombia, Venezuela, Peru, Canada, Greece, Italy, Iran, Belgium, Germany, England, France, Slovakia, Portugal, Spain, Romania, Bosnia, Nepal, India, Bangladesh, Serbia, Russia, Sweden, Turkey, Netherlands, Panama, Bolivia, Ukraine, Indonesia and Georgia. Snowshine follows more than 10 short films with a strong background in abstract fictional genres, digital sound and fictive light installations.
Filmography
Staging with RGB lighting effects – geometric shapes flow:
2020 Snowshine, in progress AF_EINSTRAHLER (Radiator) 10’, AF_WRACK 13’; HEXA SEXTA 16’; Bille Balle (BALL BALLOON) 190“; EINäuger 10′
Cartoons with 2D Animation+3D illusions templates, color, Stereo:
2019 Periplaneta, 6’07; 2018 MI DI WORM no. 10, 1′; MI DI WORM no. 1-19 ; AF_VOLVERSTOI no.1-65 Space and time axis model the sequence of the images and stage the discolored color flow
2019 AF_SOMONT_NB, 135’’; AF_SO_WAL, 4’; AF_SO-RO, 4’37’’
Staging with RGB flow lighting effects and geometric shapes (year of shooting France 2005): AF_ST-TIC_TAC; AF_SAGOMA, 25’’
Early Experimental films of astrazione-fiction
2012 A-SOL_TIC, 2010 WRACK_CUBE, 10’; 2008 Blue-TUONO, 15’; CA-lunatic, 4’ ; Compilation Eclat/Ecran 2004
SYNOPSIS
The protagonist Pluto-n flits across the snowy landscapes as a shadow actor. A red dot lets the aliens know that Pluto-n is on a unique mission in search of wishes. He is torn between pursuing his mission and simultaneously standing up for his natural surroundings, which he sees as his point of light. Identifying himself as a red dot hacker, Pluto-n goes to a ghost turn under the snow, under a cabin, and he discovers the shocking truth – the life he knows is the elaboration of a magical cyber intelligence. The film speeds up even more when a team of ghost shadow Pluto-n researchers travel through red holes in space to ensure the survival of scripts and patterns that hold a lot of mystery.