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PROGRAM Special Mention

Chaytu (Fantasma)

SPECIAL MENTION
JURY STATEMENT:
Film narration built with intentionally limited procedures. Static shots, narration in the text, and singing function in a simple and meditative way as a comforting tool. Throughout the film, we are faced with a barrier of dense and impassable vegetation. The sky is almost never seen. Human voices and flute sounds echo through the noise overpowering the birdsong. The serenity and harmony of the rain-soaked landscape dominates the film, making the human presence spectral and absorbing it into the all-encompassing reality of the forest. This is a film that would surely fit a big screen well.

AUTHOR CV
Ecuadorian director, screenwriter and producer. His debut documentary “La Tola Box” had its theatrical release on Ecuador’s main theaters and was screened at festivals such as Havana IFF, Mostra de Sao Paulo, EDOC and FILMAR (Switzerland). His first feature film “Sansón” was selected for the Amiens Writing Fund and the Produire au Sud lab at the 3 Continents Nante’s Film Festival, both in France; as well as in Ibermedia’s “Hero’s Journey” workshop, held in La Paz, Bolivia. The project won Ecuador National Film Institute’s Film Fund in Development and Production and Ibermedias Co-production Film Fund. It was also selected by Film In Progress (Ventana Sur), Bolivia Lab’s Finalization Lab, Malaga’s IFF WIP and FIC Viña’s WIP where it was awarded first prize. “Sansón” is currently finished and about to begin its distribution stage. Nowadays, he is developing the scripts for “I shall not speak of death”, winner of Ecuador’s National Film Fund in the Writing category; and the documentary essay “The Cougar’s Jaguar”. In 2021 he will direct the short film “The Sacred fire of the dead” as an exploration of the themes and aesthetics he plans to develop in “I shall not speak of death”. This short film was the winner of Ecuador’s National Fund as well. Pavel studied film at the National Film and Documentary School of Argentina at the Popular University of Mother’s of Plaza de Mayo. He also studied music, specializing in piano. In 2000 he won the International Poetry Award “Valentin Arteaga” from Spain. He often teaches in labs and workshops about screenwriting and directing in several countries and directs the Cosmonautalab. He is the conductor of “Tropical Framing” a radio show about Latin American film broadcasted in San Jose, Costa Rica.
SYNOPSIS
A furious and silent hurricane is about to reach a village in the Latin American tropical forest. A grandmother and her grandson are elected to travel and give themselves as offerings. Sacred songs and an arduous walk revive the hope of the commune to survive the natural disaster.

Categories
PROGRAM Special Mention

Retired

SPECIAL MENTION
JURY STATEMENT:
Personal things vibrate memories of accumulated time. In them, by using the imprinted traces of life, they are testifying of the former human presence, just like analog devices for recording nostalgia.
A film thinks about people, things, abandoned objects, that draw memories, events and places. in a gentle and poetic way.

AUTHOR CV
Vojtěch Domlátil is Czech independent filmmaker, animator, illustrator, graphic designer and teacher. In his last films he works with non-narrative possibilities of stopmotion, oscilating between genres of animation, documentary and experiment. He lead the studio of animation in the University of West Bohemia in Pilsen, Czech Republic, together with Jiří Barta
SYNOPSIS
Retired life inside the lonely family cottage. A shake made from love, care and family history. Short poetical anidoc using simple stopmotion animation. A tribute to my parents and their stuff they left there.

Categories
PROGRAM Special Mention

Holiday in the Sea of Supremacy

SPECIAL MENTION
JURY STATEMENT:
The well-known and once relaxing scenes now have a completely new meaning. The sea is no longer a sea for swimming and diving, it is a sea of ​​drowning and loss. Racial and class segregation is underlined under all elements of life like the ambient sound present in the film. Motives of tourist utopias that pass from the sphere of the known to the sphere of the eerie.

AUTHOR CV
Roger Horn is an unconventional filmmaker and professor at HMKW Berlin in the Visual and Media Anthropology program. His PhD in Social Anthropology titled, “Memories, material culture, and methodology: Employing multiple filmic formats, forms, and informal archives in anthropological research among Zimbabwean migrant women” included several accompanying films which have screened widely at festival such as the 65th International Short Film Festival Oberhausen, 2020 Clermont-Ferrand International Short Film Festival, and the 21st & 22nd Ji.hlava International Documentary Film Festivals.
SYNOPSIS
Upon completion of his PhD and relocation to Germany all that filmmaker Roger Horn wanted was a relaxing family holiday in Spain, but he quickly became consumed with troubling emotions while swimming in the site of countless migrant deaths, the Mediterranean Sea. Adding to his concerns a trip into Barcelona with his wife revealed a city plastered in banners demanding Catalonian independence, cash machines covered in protest slogans, and African migrant vendors constantly under threat from local police.