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PROGRAM

SELF

AUTHOR CV
Dina Karadžić (1986) — Born and resides in Zagreb, CRO. Mastered in Art (MFA, Sculpture) from the Academy of Fine Arts in Zagreb in 2012. A member of the Croatian Association of Artists since 2011, of Croatian Association of Professional Artists since 2018, and the Art Director of Format C art org (an artist organization focused on digital art, experimental multimedia research and collaborative creation) since 2014. (Co)works as an independent lecturer; active as an organizer and an artist in the areas of visual | digital | net art; works in stop-motion animation and character design; employed 2017-19 by the ACC Attack NGO as a project assistant, and was a Web-Based Media Fellow at Akademie Schloss Solitude in 2018-19. A member of CTHR workgroup and a Board Member at the Operation City Association Alliance since 2019.
SYNOPSIS
A short experimental built by compressing a personal archive of own and other’s images into one media file. The sequence consists of all the photos found in the images folders of the author’s device at the time (Sept 2020), both private and public content included. The files are pillarboxed into a fragmented “slideshow” video and then databent; i.e. the code of the video is edited to re/deconstruct the video into a colorful and displaced fusion of self and others selves. The video does not progress by a single narrative but in multiple asynchronous happenings, scattered by the deconstructed code of the file, interleaved by both time and space (the sequence is defined by the date the media files were delivered to or created by the origin device, regardless of their original purpose). The whole process is created by CLI software, text-editing and simple processes automation.

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PROGRAM

Your Security

AUTHOR CV
Elias ZX’s experimental, narrative and documentary short films have found recognition around the world. They have won awards in South Korea, they’ve been available in public libraries in Berlin. They have screened in Egypt, Australia, India, Serbia, Brazil and back around to Time Square in New York City.
SYNOPSIS
A film about romance, scams, and romance scams

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PROGRAM

Unreal

AUTHOR CV
Emerging video artist, working primarily in digital video and photography. My work focuses on concepts of time and space – abstract representations of spaces and people with a particular interest in how the three-dimensional practice of film is presented in a two-dimensional format. Currently living and working in Sydney, Australia
SYNOPSIS
Humanity has long been observed, studied and synthesised with our technology. As we move ever closer to a technological singularity, the line between carbon and artificial based life becomes ever more blurred. ‘Unreal’ utilises 85 individual AI generated portraits created through a Generative Adversarial Network.

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PROGRAM

Traces

AUTHOR CV
Alex Volz has been working for film and television for almost 10 years all over Germany. He was born in Heidelberg (1991) and is working as a Camera and Steadicam Operator on Sets of TV-Series, Feature Films and advertisement productions, but has been producing and directing his own creative projects since adolescence. Together with his „Tausendsassa Filmproduktion“ partner Lisa Niederauer he gave his passion for filmmaking a new platform. TRACES is the fifth project the two filmmakers developed and produced together.
SYNOPSIS
We produce a lot of waste. We know this. And because we like the way our traces (not so) magically disappear behind us, we tend to come up with lots of great reasons why we are okay with that. But what’s left does not vanish, we just decide it to be out of our sight. What if our traces stayed visible? What would we tell ourselves instead?

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PROGRAM

The Sound of Sinking Ships

AUTHOR CV
Oona Taper is a Philadelphia-based visual artist and experimental animator. Her style captures both whimsical and chaotic energy, utilizing distorted yet recognizable figures, a strong use of sound, and a mixed media approach to address themes of intimacy, technology, physical space, and subjective experiences. Her video work uses loops as a key formal element and highlights the potential materiality of moving image. Taper’s short films have been screened at national and international film festivals including; The IVY Film Festival in Providence RI, OUTsider Fest in Austin, Texas, and Locomoción, an Experimental Animation Festival in Mexico City. Her video installations and works on paper have been showcased in galleries in Boston, Philadelphia, and Rome. She is part of the video art collective Krissy Talking Pictures, which curates video and performance events in Philadelphia.
SYNOPSIS
Clarity and obfuscation, entropy and order- explored through movement, music, video and film. The Sound of Sinking S hips is a dance film that flows across live action, animation, and hand processed and chemically altered film.

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PROGRAM

The Lumière brothers

AUTHOR CV
Graduated from Ornina Institute of art/ Damascus, managed by Naila Al-Atrash, Amal Omran, Yasser Abdel-Latif and RaafatAlzagot (2006). Participated in several theatre workshops supervised by Tal’at Alsamawi Participated in several scenario workshops supervised by Mowafak Masood From 1999 until 2009 participated in several theatrical shows for children In 2009 they created the idea of ” Room Theatre”, in French “Theater de chambre”. They had shows in their own room, which is named by Guinness World Records as the smallest theater in the world.
SYNOPSIS
Lumiere brothers, now

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PROGRAM

The Execution

AUTHOR CV
Jeroen Van der Stock (b. 1979) is a Belgian-born filmmaker who earned his Masters in Audiovisual Arts from the Luca School of Arts in Brussels. In his work he often explores ideas around rejection, dysfunctionality and abandonment. His video works have been screened at film festivals including Rotterdam, Oberhausen, RIDM, Rencontres Internationales, CPH:DOX and Jeonju. His short film Night Horse won the Grand Prize at the Image Forum Festival and was nominated for the Found Footage Award at IFFR 2019. Van der Stock is currently living and working in Kanagawa, Japan.
SYNOPSIS
While a grainy mugshot image of Ivon Ray Stanley slowly appears, his executionprocessisabout to get started at the Georgia Diagnostic and Classification Prison. On a noisy tape recording Willis Marable, assistant to the warden, starts withhisreal-timeaudio testimony of the scheduled execution. The date is July 12, 1984. Usedmethodofexecution will be the electric chair. Willis is in phone contact with a bunch of Justiceofficialsfrom a room adjacent to the execution chamber and relates very meticulouslywhat he’switnessing through a one-way mirror. He clinically reports everything happeninginandaround the execution chamber. All words spoken by himself and by his fellowofficialsarecarefully recorded. The voices sound calm and dispassionate. Willis and theother officialsare all highly focused on following standard procedure manuals. In the meantime an army of painted dots is gradually occupying real estate all over IvonRayStanley his mugshot, slowly and steadily burying his face, his identity.

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PROGRAM

The Circle of life

AUTHOR CV
Award winning multimedia artist. Showed his paintings, sculptures, photography, video and extended media since 1992 on 32 solo exhibitions and more then 250 collective in Belgrade, Novi Sad, Podgorica, Rijeka, Zagreb, Ljubljana, Napoli, Trieste, Piran, Gdansk, Varna, Sofia, Athens, Skopje, Barcelona, Valencia, Málaga, Marseille, Zürich, Warsaw, Buenos Aires, Santa Fe, Shillong, Kochi, Sao Paulo, Rio de Janeiro, Leon, Toluca, Coventry, Cairo, Walparaiso, Camagüey, Coimbra, Vila Nova de Famalicão, Newark, Vancouver, Long Island City, Sao Luis, Rennes, Nantes, St Malo, Maubeuge, Stuttgart, Düsseldorf, Antwerp, Liège, Nenagh, Luxembourg, Moscow, Amorgos, Sikinos, Kalamata, Zanjan, Guadalahara, Monterrey, Mexico City, Rome, New York City, Seoul, Kuala Lumpur …
SYNOPSIS
“Circle of life” is my old grandma’s lace which I unlaced part by part, and each part of the lace was scanned to make them digitally move in a line, and to make from it new lacework, but with new technology. This is a story of my contact with my ancestors, and the circle of life of each of us.

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PROGRAM

The Brunette

AUTHOR CV
Born in the small, rural city of Lachute and raised on a secluded island in the woods. As a graduate in Fine Arts, I took out has a rendering assistant in Toronto before focusing on writing and directing my films. I currently live in Montreal, a bigger and noisier island.
SYNOPSIS
A three-minute short film about a young woman experiencing music through a psychotic phase.

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PROGRAM

Serial Paralells

AUTHOR CV
Max Hattler is an artist and academic who works with abstract animation, video installation and audiovisual performance. He holds a master’s degree from the Royal College of Art and a Doctorate in Fine Art from the University of East London. His work has been shown at festivals and institutions such as Resonate, Ars Electronica, ZKM Center for Art and Media, MOCA Taipei and Beijing Minsheng Museum. Awards include Supernova, Cannes Lions, Bradford Animation Festival and several Visual Music Awards. Max has performed live around the world including at Playgrounds Festival, Re-New Copenhagen, Expo Milan, Seoul Museum of Art and the European Media Art Festival. He lives in Hong Kong where he is an Assistant Professor at School of Creative Media, City University of Hong Kong.
SYNOPSIS
This experimental animation approaches Hong Kong’s built environment from the conceptual perspective of celluloid film, by applying the technique of film animation to the photographic image. The city’s signature architecture of horizon-eclipsing housing estates is reimagined as parallel rows of film strips: Serial Parallels.